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Brendan Gleeson Will Be An Ordinary Man – Starring alongside Abbie Cornish in the dark drama

8th May 2012 By Tim Isaac

Last time we heard about An Ordinary Man, back in 2010, Liam Neeson was circling the dark drama. Now he’s moved on and Brendan Gleeson has signed on to take the lead role in Brad Silberling’s film.

Variety reports that Gleeson will star alongside Abbie Cornish in the movie, which is a thriller loosely based on Serbia’s Slobodan Milosevic, about a shut-in war criminal whose only contact to the outside world is his maid. Gleeson will be playing the criminal and Cornish will play the maid.

Writer/director Silberling commented, “There’s no greater pleasure than crafting a tale for brilliant actors to sink their teeth into, and with Brandon and Abbie, I feel like I’ve hit the jackpot. Watching them go toe to toe in this suspenseful tightrope walk of veiled intentions, cat-and-mouse psychology and desperate gambling for human contact — it will be a filmmaker’s dream to capture.”

It’s certainly something different for Silberling, who’s had difficulties getting projects off the ground ever since Land Of The Lost failed miserably back in 2009.

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Juliette Lewis Toplining Days Of Mary – A reimagining of Fellini’s Nights Of Cabiria

8th May 2012 By Tim Isaac

Juliette Lewis may not always be the best of actresses (although she has put in some great performances), but she always picks interesting projects to work on. Now Variety reports that she’s taking the lead in Days Of Mary, which is a reimagining of Federico Fellini’s Nights Of Cabiria.

While the 1957 Italian movie is about a prostitute living in Rome, this new take moves things to Utah and follows an eternally optimistic working girl who’s looking for love to escape the broken world of Reno. It’s definitely an idea that has potential, and Lewis always does best with characters who have a sunny disposition despite the hardships they face.

Lewis has recently trying out TV with a series based on John Grisham’s The Firm, however due to low ratings it’s almost certain the show has been cancelled, allowing Juliette to head back to the movies. Days Of Mary will shoot this summer.

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Anna Friel Will Be Having You – Romola Garai & Andy Buchan signs up too

8th May 2012 By Tim Isaac

It’s always good to hear about new low budget Brit flicks, and now Holland Park Pictures has announced the cast for its debut feature film, Having You, written and directed by Sam Hoare. The cast features a selection of established and emerging British talent, including Anna Friel (Limitless), Romola Garai (The Hour) and Andy Buchan (Nowhere Boy). More cast members are expected to be announced in the coming weeks.

The film tells the story of Jack (Buchan), a man whose life is shaken up by the arrival of a long forgotten one-night stand (Friel) and the subsequent shock introduction to his only son. The film shows the impact this new addition has on his existing relationships, most notably with his fiancée (Garai). It’ll shoot from April 16th to May 13th in various locations around London.

Holland Park Pictures is an interesting addition to the UK film landscape, which thinks of itself as more than just an independent film production company. Instead it’s a collection of filmmakers, actors and friends bought together through a mutual love for independent film. The company has focused to date on crafting powerful and provocative short films that primarily examine the transformative nature of human relationships, with Having You being its first feature production.

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The Campaign – Will Ferrell & Zach Galifianakis Political Ad – Who would you vote for?

8th May 2012 By Tim Isaac

With the US heading for the polls this November to decide whether to give Obama another four years or if Mitt Romney can swoop into the Whit House. However Will Ferrell and Zach Galifianakis are hoping we’re gonna be interested in a slightly different political campaign. In The Campaign, when long-term congressman Cam Brady (Will Ferrell) commits a major public gaffe before an upcoming election, a pair of ultra-wealthy CEOs plot to put up a rival candidate and gain influence over their North Carolina district. Their man: naive Marty Huggins (Zach Galifianakis), director of the local Tourism Center. At first, Marty appears to be the unlikeliest possible choice but, with the help of his new benefactors’ support, a cutthroat campaign manager and his family’s political connections, he soon becomes a contender who gives the charismatic Cam plenty to worry about. Now we get to see their political ads and see what they stand for, ahead on the film’s release in September.

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The Dictator Red Band Trailer – Sacha Baron Cohen’s film gets a bit ruder

8th May 2012 By Tim Isaac

Sacha Baron Cohen returns to cinemas on May 16th with The Dictator, and now a new red band trailer has arrived, which shows us some of the film’s ruder moments. The film is ‘The heroic story of a dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed’ and who ends up having to live the life on an ordinary American when he goes to New York to deliver a speech to the UN. Bizarrely, it’s partly based on a book by Saddam Hussein!

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ID:A (DVD) – Amnesiac thrillers go Scandinavian

8th May 2012 By Tim Isaac


Thanks to the likes of The Killing and Borgen, Scandinavian thrillers are the in thing at the moment. However these bursts in popularity for particular bits of world entertainment mean an awful lot of stuff gets released hoping to cash-in on the phenomenon, whether it’s top quality stuff or not. ID:A definitely feels like it come from the second rank of Scandinavian thrillers, despite the presence of Oscar winning director Christian E. Christiansen and Lars Von Trier’s Zentropa producing.

The movie opens with a woman waking up in a French river, with a scar on her stomach but no memory of who she is or how she got there. Adopting the name Aliena, she tries to work out who she is and soon becomes aware that mysterious heavies are looking for someone with her description. When she works out she could be Danish, she heads north, finding a clue on the way when she recognises the voice of famous opera cinema Just Ore.

This realisation sets off a chain of increasingly dark events where Aliena discovers the truth of who she is, as well as the murder, brutality and fear that led to her ending up in the river in the first place.

It’s very difficult to make an amnesia thriller that doesn’t seem hackneyed. The Bourne films managed it by making the character’s memory loss essentially a sideshow to the conspiracy theories and the balls-to-the-walls action. Here it’s all about the amnesia, which is okay but does start feeling slightly cheap when you realise that it’s more a plot device than anything absolutely essential. Indeed its main job is to make the thriller seem more interesting and innovative than it actually is, as without it much of the story would seem rather silly.

That’s not to say it’s all bad though, as the film moves along at a fair clip and the amnesia storyline does keep you watching to find out who the woman is and what happened to her. The story gets ever darker and things become increasingly deadly when we go into extended flashback to find out the violence and abuse that resulted in ‘Aliena’ falling into the river. The film has fun playing with our ideas of who characters are, but it starts feeling a little tired and the characters end up making less and less sense, eventually resorting to using increasingly grisly violence in place of a plot that actually seems to have grown organically.

ID:A does have one very rare and welcome thing, a gay character whose sexuality is relevant but who could quite as easily have been straight. It’s largely presented as something that just is and nobody has much to say about it, which is surprisingly rare, especially in the thriller genre.

It’s an okay movie, but anyone hoping for the filmic equivalent of The Killing will be disappointed. In fact it has more in common with Hollywood product than the slick Scandinavian dramas BBC3 has been drooling over.

Overall Verdict: Amnesia is a surprisingly difficult thing to make work on film, with ID:A showing that without care and an extremely tight, strong plot around it, it can seem a tad cheesy.

Special Features:
Trailer

Reviewer: Tim Isaac

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