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Mothman (DVD) – Death by CGI trash bags!

11th May 2012 By Tim Isaac


It’s rather odd that a small, provincial supernatural legend has managed to spawn two films, especially as that legend is incredibly dumb. Buy hey, the 2002 Richard Gere movie The Mothman Prophecies was actually a lot better than it had any right to be. Sadly the same can’t be said for Mothman.

A group of teenagers are having a swim one night and telling scary stories about the local legend of the mothman – a man shaped killer creature said to live nearby – to one of their younger brothers. Deciding the kid isn’t scared enough, they start to prank him, pulling him under the water, but soon things have gone too far and he’s drowned. 10 years later one of the teens, Katherine (Firefly’s Jewel Staite), is now a journalist sent back to her hometown to report on the local mothman festival. Almost as soon as she arrives and all those responsible for the drowning are back together, the mothman turns out to be very real. It’s a demonic avenging angel that emerges out of reflective surfaces to kill those who’ve gotten away with murder, and it’s determined to kill everyone involved in the death of the boy.

I don’t think I really need to say much more as you can probably tell just from that synopsis that this is not going to be joining Halloween and Psycho among the all-time horror greats. While there are worse films out there, Mothman ain’t great, with a plot that ranges from the perfunctory to the downright dumb, a bunch of completely interchangeable characters and a killer creature that lacks any logic, even on its own terns, with its exact need for reflections changing from appearance to appearance. It doesn’t help either that the Mothman special effects are pretty rubbish, and it rather undermines any terror when it look like our protagonists are being attacked by CGI trash bags with glowing red eyes.

However I’m sure there are many of you out there who like low-rent horror, and it does just about fit the bill on that score, although if you’re hoping the gore will make up for the daftness of the rest of the film, there’s a bit of blood and guts, but not a vast amount. My personal Mothman Prophecy is that most people watching this will think it’s a bit rubbish.

Overall Verdict: Low rent horror which just about passes the time even if it’s interminably dumb.

Special Features:
Trailer

Reviewer: Tim Isaac

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WIN! A Good Old Fashioned Orgy On DVD – Three copies of the Jason Sudeikis comedy to give away

11th May 2012 By Tim Isaac

The raucous comedy A Good Old Fashioned Orgy is out to buy on May 14th, and we’ve got three copies of the Jason Sudeikis film to give away of DVD in this competition!

Sudeikis (Horrible Bosses, Hall Pass) is Eric, a thirty-something party animal famous among his close circle of friends for his lavish summer theme parties at his father’s swanky Hamptons pad. But when members of the crew start settling down, and Eric’s dad, played by Don Johnson (Miami Vice), announces plans to sell the beach house, Eric decides it’s time for one last bash to go out with a proverbial bang – a good old-fashioned orgy. The only obstacles to overcome are actually convincing each of his reluctant friends to join in on the bacchanal, and an inconveniently blossoming romance with the real estate agent played by Leslie Bibb (Talladega Nights) threatening to sell the house out from under him before the main event can even take place.

It’s great fun and if you’d like to try and win one of the three copies of A Good Old Fashioned Orgy on DVD that we’ve got to give away, sign in to the site below (or click here to register) and answer the multiple choice question (see below for more details on how to enter). The competition closes on May 24th, 2012, so get answering and good luck!

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Dark Shadows – Johnny Depp gets supernatural once again

11th May 2012 By Tim Isaac


Dark Shadows has always been a somewhat problematic proposition for a film conversion, especially as it’s been brought to the screen by people who are obviously in love with the original US soap opera that ran between 1966 and 1971. The show ran for over 1,000 episodes and featured a vast array of characters and all sorts of different supernatural shenanigans. Those then needed to be distilled down to a single movie that’ll work for a generation who’ve never seen the show.

It’s a challenge that Dark Shadows only partially succeeds in, with the whole thing having the whiff of being filled things Johnny Depp and Tim Burton wanted to include, but which might have been better to have dispensed with.

In an extended prologue set in the late 18th Century, we meet Barnabas Collins (Johnny Depp), son of a wealthy businessman who’s built himself a huge fortune and a palatial mansion in the New World. After spurning the advances of the maid Angelique (Evan Green), Barnabas discovers he’s bitten off more than he can chew as Angie is a witch, and an extremely vengeful one at that. She kills his parents, causes his girlfriend (Bella Heathcote) to jump off a cliff, turns Barnabas into a vampire and then locks him in a coffin for what she hopes will be eternity.

However eternity turns out to be just under two centuries, with construction work digging Barnabas up in 1972. He rises from his coffin to find the family fortune on the point of collapse, the mansion in disrepair and his descendants plagued by possibly supernatural problems and curses. The vampire sets out to restore the family’s fortunes, which is made all the more difficult due to the fact that Angelique is still around, still as beautiful as ever and just a determined to destroy everything about the Collins family, unless Barnabas will finally agree to be with her forever.

As you’d expect from Tim Burton, Dark Shadows looks wonderful, with bright colours and great production design. However as we’re also increasingly coming to expect from Burton, a potentially great concoction fails to live up to its potential.

The main problem is Seth Grahame Smith’s script, which feels as if it’s trying to throw everything at the wall to see what sticks and as a result doesn’t really make a huge amount of anything. Threads are picked up and dropped, underwritten characters seem to change moment-by-moment depending on what the script needs from them, and plot ideas come out of left field only to vanish. It’s partly a result of a seeming indecision over whether Dark Shadows is a modern movie in its own right, a spoof of soaps or a homage to the original.

Johnny Depp’s obviously having a blast playing a character he’s loved since he was a child, but even his kooky persona and white-face makeup can’t carry the film on its own. It’s a great shame as everyone involved seems to be doing their best, but with a script that’s all over the place and a lack of the momentum needed for a truly joyous comic supernatural diversion, it adds up to something that passes the time but is essentially a missed opportunity. It seems to be happening more and more with major Hollywood projects that the scripts feel as if they’ve been through so many hands and had so much input from so many different sources that they lose cohesion. That certainly seems to have happened here, which is a great shame. All the other pieces are in place for an extremely fun ride, but without a strong screenplay to hold it together, it’s never going to hit the heights it could.

That said, there’s still fun to be had and sections of the movie show us what could have been. The movie has fun with Barnabas being a man out of time thrown into the 70s and Eva Green has some wonderful moments as the obsessively vengeful Angelique. Likewise there’s humour from Helena Bonham Carter as psychiatrist Dr. Hoffman and Johnny Lee Miller as the sleazy Roger Collins, while Michelle Pfeiffer does a lot with only a little as current Collins matriarch Elizabeth. Unfortunately though all three of those characters end up suffering from a lack of consistency and a tendency towards the random.

There’s fun to be had with Dark Shadows, at least in parts, but overall it can’t help but feel like a missed opportunity.

Overall Verdict: Great production design, good acting and quite a few fun scenes can’t hide the fact that Tim Burton’s latest is undone by a script that never quite feels like it’s decided what it’s doing.

Reviewer: Tim Isaac

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Gangster Squad Trailer – Awesome first promo for the star-studded thriller

10th May 2012 By Tim Isaac

Ever since the cast for Gangster Squad started coming together – Sean Penn, Ryan Gosling, Josh Brolin, Emma Stone – it appeared it could be something special. Now we’ve got the trailer and it suggests the film will be extremely cool. Here’s the synopsis: ‘Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen (Sean Penn) runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and – if he has his way – every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop…except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O’Mara (Josh Brolin) and Jerry Wooters (Ryan Gosling), who come together to try to tear Cohen’s world apart. Gangster Squad is a colorful retelling of events surrounding the LAPD’s efforts to take back their nascent city from one of the most dangerous mafia bosses of all time.’

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Kyle Chandler Boards Wolf Of Wall Street – Playing an FBI agent

10th May 2012 By Tim Isaac

With the shoot scheduled for this summer, Martin Scorsese is busy filling out the cast of The Wolf of Wall Street. He’s already got Leonardo DiCaprio and Jonah Hill onboard, and now Deadline reports that Kyle Chandler has signed on too.

The film is an adaptation of the Jordan Belfort memoir, which follows the multimillionaire stockbroker through his dramatic rise and fall on Wall Street. Leonardo DiCaprio plays Belfort, who experiences a dramatic rise on Wall Street and gets lost in the drugs and excess of a hard partying lifestyle that comes hand in hand with all that money. His downfall is precipitous, as he spent 22 months in jail before straightening out his life.

Chandler will play FBI agent Coleman, who built the case against Jordan Belfort and took him down. Jonah Hill is playing Jordan Belfort’s close friend and business partner, who’s persuaded by Belfort to quit his job in the furniture business to jump into volatile world of stocks. The script was adapted by Boardwalk Empire creator Terence Winter.

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Sherlock Holmes: A Game Of Shadows (Blu-ray) – Has the consulting detective met his equal?

10th May 2012 By Tim Isaac


All the way through 2010’s Sherlock Holmes, a shadowy figure lurked in the background who seemed to have a finger in every pie and used the mayhem Sherlock was involved with to his own ends. In A Game Of Shadows that figure steps forward, with Jared Harris as Professor James Moriarty, who is Sherlock’s intellectual equal, even if he uses his brains for very different ends.

A series of explosions is rocking Europe and threaten to destabilise the already tenuous peace between the nations, with war a very real possibility. As you’d expect, Sherlock is soon deep in this conspiracy and has very quickly worked out that Moriarty is involved. However it’s not enough to know who’s behind it, as there’s no tangible evidence. As a result Holmes must investigate and work out Moriarty’s end game in order to stop the villain.

This sets Sherlock off on a quest across Europe, from Britain to France then on to Germany and Switzerland, tracking down exactly what Moriarty is up to and why he’s so keen to cause political mayhem. However it soon becomes apparent that while the fate of Western Europe swirls around them, the men are as interested in the intellectual tussle they’re become embroiled in as they are in the fate of the world around them.

Of course Jude Law’s Watson is still around, even if he’s not meant to be. He’s supposed to leave Holmes’ madcap investigations behind when he marries, but the bromance cannot be broken up that easily, especially as Sherlock knows that by going after Moriarty, the master villain will target Watson.

With A Game Of Shadows, it’s very much the case that if you liked the first one, you’ll probably like the second. There is a slight sense of diminishing returns, as what felt fresh and new first time around inevitably lacks the novelty it had. However an action-packed, witty and irreverent Downey Jr. as Sherlock is still a lot of fun, and there are some very good set-pieces and a few laugh out loud moments. It’s difficult to escape the sense that a lot of the middle is filler which mainly exists because there needs to be something between the entertaining beginning and the exciting, well written ending. However it’s amiable enough, and there are some fun bits and pieces, even if the middle hour doesn’t really add up to an awful lot.

It’s also a bit of a shame they replaced the feisty Rachel McAdams as Irene Adler with the rather more subdued presence of Noomi Rapace as the gypsy Sim. Whereas Irene had spunk (which is still there in the few scenes she has at the start of the movie), Sim mainly feels unnecessary. Indeed there are moments where you wonder if she was only added to the script so that Holmes & Watson don’t seem even gayer than they already deliberately are.

Indeed the film spends an awful lot of time playing with exactly what Holmes’ feelings for Watson are, so that while he may start out the film romancing Irene Adler, there’s little doubt he’d prefer to spend his time with Watson. Exactly what’s going on between them is deliberately left unspoken as it’s fun to play with it, and there are times where it seems Sherlock is a genius about everything other than how to define his relationship with Watson. A Game Of Shadows also introduces Sherlock’s brother Mycroft (Stephen Fry), who is slightly superfluous but suggests ‘Sherly’ came from a household that didn’t have much time for women, which is why he always looks to another man for companionship and camaraderie.

A Game Of Shadows is full-on popcorn entertainment, which may be a hair’s breadth less fun that its predecessor but still provides more than enough wit, action and fast-paced thrills to make it worthwhile. Just ignore the fact the middle feels like filler and that if you start thinking about the plot Sherlock and Moriarty don’t seems half as smart as they think they are, and you’ll have a whole lot of fun.

As you’d hope, the Blu-ray provides excellent picture quality, with the inky, deep blacks particularly noticeable in the often high-contrast action scenes, where bright pools of light mix with darkness. It all looks superb, really bringing out the wonderful production design the film is filled with (and which has been a big part of why both Holmes movies have been such a success – presenting a fantasy Victorian Europe which still manages to feel rather gritty and real). The sound is also excellent, with the DTS soundtrack giving your speakers a workout when the action gets explosive.

However the real reason to get the film on Blu-ray is the superb Maximum Movie Mode. Warner Bros. really is good at these for their key releases, so that you watch the film and it’s interspersed with relevant featurettes, interviews, stills and various other bits and pieces that pop up and give you a great overview of the film and its making. This one is hosted by Robert Downey Jr. who adds an extra bit of fun to the experience. It’s all extremely well done and well worth spending some time with.

Overall Verdict: It may not be quite as much rollicking fun as the first instalment, but A Game Of Shadows is still an entertaining, worthy sequel, given a great Blu-ray release.

Special Features:
Maximum Movie Mode Hosted By Robert Downey Jr.
Picture In Picture
Storyboards
Focus Points
Stills Galleries

Reviewer: Tim Isaac

Sherlock Holmes: A Game Of Shadows is available on Blu-ray Triple play, DVD and digital download 14th May. Pre-order here
© 2012 Warner Bros. Ent. All Rights reserved

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