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JJ Abrams Finds The God Particle – As well as the Nazi-hunting movie Wunderkind

12th June 2012 By Tim Isaac

Paramount adores being in the JJ Abrams business, because at the moment it seems to guarantee them profits. They’re getting together again for The God Particle, as Paramount Pictures and JJ Abrams’ Bad Robot production company are now putting together the sci-fi thriller God Particle, based on a script by Oren Uziel, and have also picked up an action thriller spec script called Wunderkind from Patrick Aison. At the moment it appears Abrams will produce by not direct both movies.

According to Vulture, God Particle centres on a physics experiment with a particle accelerator that causes the Earth to seemingly disappear into thin air. The plot follows an American space station crew set floating adrift with no home to go back to, when they discover a European spacecraft on their radar. Although that sounds like a pretty big budget movie, the studio plans to shoot this project for just $5 million, and they will likely release it under their Paramount Insurge micro-budget division.

Variety meanwhile has the news on Wunderkind, which is set in the 1970s and follows a young CIA Nazi hunter who crosses paths with an older, more experienced tracker from Israel’s Mossad. The pair reluctantly decide to join forces when they realise they’re after the same person. Patrick Aison’s script has excited a lot of interest in Hollywood, with numerous parties trying to pick it up, but Paramount and Bad Robot were the ones who signed the deal.

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Ray Winstone In Talks To Join Noah – Playing the ark-builder’s nemesis

12th June 2012 By Tim Isaac

A month or so ago Liam Neeson was in talks to play the bad guy in Darren Aronofsky’s biblical epic Noah. That didn’t work out, and now the role looks like it’s going to Ray Winstone, who’s in talks to join the film, according to Deadline.

Russell Crowe will take the title role, with Logan Lerman, Douglas Booth and Emma Watson also set to star. Although in the bible, the main baddie for Noah is the weather, Aronfsky’s film will add in a human nemesis, played by Winston, who presumably thinks building arks is the dumbest thing in the world.

Jennifer Connelly is still being eyed as Noah’s wife, but nothing’s been signed as yet. Aronofsky’s going to have to make a decision soon, as the movie is set to shoot later this summer.

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Animal Rescue Gets Director Neil Burger – The Limitless helmer takes on the crime drama

12th June 2012 By Tim Isaac

Fox Searchlight has signed a deal with Limitless director Neil Burger to follow-up his thriller success with the crime drama Animal Rescue, according to Variety. No cast is attached as yet, but expect that to change fairly soon.

The drama follows a man who wants to leave his life of crime (everyone in movie seems to be just about to leave a life of crime). However he gets caught up in a murder that results from a loss at a pitbull fight.

Burger is also writing the screenplay, adapted from a short story by Dennis Lehane. There’s no news on when it might shoot and it may be a while, as the director is already juggling several other movies as his possible next project.

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Anton Yelchin Joins Only Lovers Left Alive – Another vampire flick, this time for Jim Jarmusch

12th June 2012 By Tim Isaac

It appears Anton Yelchin likes vampires, as after last year’s Fright Night he’s heading back into a film about the bloodsuckers, although this time with a more arthouse bent, as Deadline reports that he’s signed on to star in Jim Jarmusch’s Only Lovers Left Alive, a drama about the centuries-long romance between two star-crossed vampires.

When it was first announced, the movie was due to star Tilda Swinton, Mia Wasikowska and Michael Fassbender in what Jarmusch describes as a “crypto-vampire love story”, following the centuries-long love story of two vampire lovers. Since then John Hurt has signed on and there have also been rumours Tom Hiddleston has stepped in to replace Fassbender.

However what isn’t certain is who will play the central vampiric lovers. Jarmusch is deliberately keeping quiet about his plans, but it certainly sound like something larger scale than he normally takes on.

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Freelancers Red Band Trailer Trailer – Robert De Niro teams up with 50 Cent

12th June 2012 By Tim Isaac

It looks like Robert De Niro has taken another paycheque gig with Freelancers, where he gets to wander around doing his trademark tough guys schtick, this time opposite 50 Cent and Forest Whitaker. Here’s the synopsis: ‘The son of a slain NYPD officer joins the force, where he falls in with his father’s former partner and a team of rogue cops. His new boss, Sarcone, will see if he has what it takes to be rogue through many trials and tribulations of loyalty, trust and respect. When the truth about his father’s death is revealed revenge takes him over and he won’t stop until justice has been truly served.’

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The Belly of an Architect (Blu-ray) – Peter Greenaway’s flick gets a scrubbed-up release

12th June 2012 By Tim Isaac


There’s a moment early on in Peter Greenaway’s film when you know it’s not going to end well. Brian Dennehy’s architect, Kracklite, is pompously explaining the importance of Isaac Newton’s discovery of gravity and his place on a one-pound note (for younger readers, it’s true), and promptly loses the note, which we then see set alight by a candle.

Half an hour later Kracklite is writing postcards to his long-dead architect hero Boullee, of his suspicions his wife is having an affair (she is) and she is poisoning him (she might be). Welcome to the mad, bad world of Peter Greenaway.

His work is usually seen as esoteric, arthouse, inaccessible, highbrow, beautiful to look at but ultimately a dead end. Belly may well be the one film that changed that view – although The Draughtsman’s Contract remains my personal favourite. There may be two reasons for that. Firstly there is no clean but Spartan Michael Nyman soundtrack here – Wim Mertens steps in – and the central performance by Brian Dennehy is as large as his eponymous belly.

Dennehy, surrounded by all of the usual Greenaway touches – stunning visuals, sloppy acting, stilted dialogue – is simply stupendous, a literally massive presence who is slowly stripped of all he holds dear and ends in tragedy. His Kracklite is a classic over-reacher, an architect who has built little, and would have completed even fewer projects were it not for his rich, young wife (Webb). He is intent on mounting an exhibition of his hero, Louis-Etienne Boullee, in Rome – an American putting on a show about a Frenchman in Italy.

Slowly but surely it all starts to fall away – he has terrible stomach cramps, his wife falls for a younger Italian man, and no-one in Rome seems to be interested in Boullee – a man who also completed few buildings in his career and may even have been a fascist. As Kracklite says though, surely Italians would appreciate a fascist architect?

Kracklite is a classic tragic figure, doomed from the moment he enters Italy, yet Dennehy infuses him with enormous pathos, dignity, wit and sadness. It may be hard to like him but it’s impossible not to sympathise with his plight, framed in a series of exquisite shots of Rome. The scene where his doctor tells him the news after a rectal examination is quite stunning, amazingly moving, a scene where no-one says what they are actually thinking.

There’s the bonus feature of a 15-minute doc by Greenaway on Terence Conran, almost funny in its absurd seriousness, but worth sticking with for an uncredited score by Nyman. Conran comes across as a match for Greenaway’s pomposity.

Overall verdict: This is the latest in the BFI series of Greenaway’s work, and has scrubbed up superbly. Greenaway would go on to become more obscure and unwatchable, but here he’s at his peak.

Special features:
Short: Insight: Terence Conran (15 mins)
DVD-ROM with score
Booklet

Reviewer: Mike Martin

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