A comedy shot in documentary style, Morris: A Life With Bells On follows in the tradition of films like Christopher Guest’s Best in Show (2000), as it presents an array of oddball characters who share a niche, provincial hobby. Derecq Twist (Charles Thomas Oldham) is a passionate Morris Dancer intent on bringing the traditional dance into the 21st century by modernising it. This proves controversial, and the dance’s governing body, The Morris Circle, bars Derecq and his team from membership.
Discouraged, and following the death of one of his team members, Derecq considers giving up Morris Dancing forever. But the producer of the documentary, who has come to see Derecq as a friend, is intent on nurturing Derecq’s skills and enthusiasm, and decides to step in.
There are plenty of things to enjoy here. The Dorset scenery is magnificent, and the eclectic cast works well – particular mention has to go to Jean-Pierre Jeunet regular Dominique Pinon, who plays a substitute dancer on Derecq’s team and who is as funny as ever. However, the film takes a while to get into. After countless imitations of The Office, the faux-documentary approach is a little trying at first, especially since Morris isn’t quite as funny as it thinks it is; but once the story kicks in and the characters actually have things to do, it picks up. It ends up being rather touching, and it’s an undeniably feel-good film.
The humour is very gentle throughout; it’s rarely uproarious, and the slow pace won’t suit everyone. Perhaps it’s most likely to appeal to rabid fans of Morris dancing, who’ll find enjoyment in such a thorough send-up of their hobby; and to Vicar of Dibley fans, since the film seems to share that show’s belief that a Westcountry accent can provide half the comedy.
Overall Verdict: Gentle, undemanding fun.
Special Features:
Trailer
Scene Selection
Picture Gallery
Production Notes
Cast and Crew Blogs
Reviewer: Tom René