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Chris Hemsworth & Charlie Day Heading Off On Vacation – They’re in talks for the long-gestating reboot

26th August 2014 By Tim Isaac

Even though it has seemed close to going into production, back in April 2013 New Line put an indefinite delay on its long-planned reboot of the Vacation franchise. However now it seems it’s getting back on track, with THR reporting that Chris Hemsworth and Charlie Day are in talks to star.

Ed Helms is still onboard to play as Rusty Griswold, the adult son of Chevy Chase’s Clark Griswold from the original Vacation movies. As you might expect, the new film involves another vacation involving Rusty and his wife (Christina Applegate).

Hemsworth will apparently play the boyfriend of Rusty’s sister Audrey, with Charlie Day as a river raft touring guide.

Last year both Chevy Chase and Beverly D’Angelo were both signed on to reprise their roles as the older Griswolds, but it’s not clear if they’re still involved.

It seems the film will start shooting fairly soon, with Hemsworth squeezing it in between Avengers: Age Of Ultron and The Huntsman, which is due to start shooting in early 2015.

John Francis Daley and Jonathan M. Goldstein are set to direct, working from their own script.

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WIN! Goddess On DVD! – You could get the Aussie musical right here

25th August 2014 By Tim Isaac

The Aussie musical Goddess is out now on DVD in the UK from Metrodome Distribution. We’ve teamed up with them to give away three copies of the Laura Michelle Kelly and Ronan Keating movie right here.

When young mum Elspeth Dickens (Laura Michelle Kelly), mother of naughty twin boys, installs a webcam in her kitchen, her funny sink-songs make her a cyber-sensation. While her husband James (Ronan Keating) is off saving the world’s whales, Elspeth is offered the chance of a lifetime. But when forced to choose between fame and family, the newly anointed internet goddess almost loses it all.

Starring Boyzone’s Ronan Keating in his first feature film role, Laura Michelle Kelly (Sweeney Todd: The Demon Barber of Fleet Street), Magda Szubanski (‘Kath & Kim’, Babe) and Dustin Clare (‘Spartacus: War of the Damned’, Eye of the Storm), GODDESS is a musical based on Joanna Weinberg’s one-woman stage show, directed by Mark Lamprell (My Mother Frank).

If you’d like to try and win one of the three copies of Goddess that we’ve got to give away, sign in to the site below (or click here to register) and answer the multiple choice question (see below for more details on how to enter). The competition closes on September 8th, 2014, so get answering and good luck!

HOW TO ENTER: This competition is open to all registered Movie Muser members who live in the UK. It’s free to register and obligation free, and once you’ve signed up to the site, you’ll be able to enter any other competitions we run, plus post comments, join in on the forum or even have your own film blog. CLICK HERE TO REGISTER. If you’re already a member, sign in below and answer the multiple choice question in the grey box, click enter, and you’re done!

This competition closes at 11.59pm on September 8th, 2014. Competition open to UK residents aged 15 or over. (For general competition terms and conditions, privacy policy and site T&Cs, CLICK HERE)

The Prize Finder – UK Competitions

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Xmoor (Frightfest Review) – Looking for the Beast but finding something else

25th August 2014 By Tim Isaac


I grew up with the stories of the Beast Of Exmoor. I was born in North Devon and went to school on the edge of Exmoor. When I was tiny and the rumours went into overdrive, the army was even called in a few miles from where I lived to look for the big cat that was said to be attacking livestock and at the time was causing a media sensation.

As a result I was very interested to see Xmoor, even if despite its name it wasn’t filmed in the southwest of England, instead heading for Northern Ireland.

Matt (Nick Blood) and Georgia (Melia Kreiling) are an American couple who head to Devon hoping to catch the legendary Beast Of Exmoor on film, which comes with a £25,000 reward. Georgia has contacted a tracker, Fox (Mark Bonnar), who she thinks can help them find the animal. Arriving at the isolated farmhouse where they’re meeting Fox, it quickly becomes apparent that something is amiss.

Things get even stranger when they head out looking for the creature, but instead of coming across an oversized cat they find what appears to be the dumping ground of a serial killer.

Xmoor is a bit of a curious beast, if you’ll excuse the pun. Those who know the legends are likely to be expecting a movie about a killer big cat, but that quickly starts to feel like a ruse as the film isn’t that at all.

Instead it’s something a little more human, which does have a couple of new ideas but largely just messes around with well-worn tropes. There are sections that are a lot of fun and pretty tense, but there’s also a lot that more than a little silly, replete with people giving long explanations about why they should do things that every other person on the planet would know is immensely dumb.

It’s also more than happy to play into the beloved horror stereotype that all rural people are complete nutjobs, although maybe I’m just more prone to bristle at that with Xmoor due to the fact that with this film it’s my Westcountry brethren they’re suggesting are all potential rapists, thugs, drug addicts and murderers. Obviously in the world of the movies, the treatment of Americans in the South West of England is still stuck in the same place it was in 1971’s Straw Dogs.

After a while though it becomes clear though that this is almost the point of the movie – blending genre ideas while twisting away and towards the expected. This is a film that knows about Straw Dogs and the many other rural weirdo movies. It’s also well aware of other horror tropes, from monster movies to serial killer flicks, even throwing the edge of a ghost story in at one point, and there’s no doubt that it wants to play with them. That’s also true of its visual style, which chucks in shaky-cam, point of view shots, creeping around in the dark and multi-camera found footage type sections to try and cross the horror boundaries.

It’s an interesting idea but ultimately it’s not entirely sure what to do with all these things, and despite its subgenre hopping, it become pretty standard stuff once its settles down into running-around-in-the dark-from-a-nutcase mode. Indeed, there are a couple of moments towards the end that almost come across horror parody considering all the genre bending it’s attempted before.

Xmoor isn’t terrible and it works in terms of passing the time if you’re looking for a bit of horror, but with all the playing with genre that it does – not least its initial attempts to set up a monster movie before heading somewhere else – it ends up being surprisingly standard horror.

It’s almost a shame they didn’t just make a Beast Of Exmoor movie, as that might have ended up being even more fun.

Overall Verdict: A genre-bending horror film that ends up showing off its film knowledge but not really taking it anywhere new, resulting in a movie that’s sometimes fun and rather creepy but which never rises much beyond pretty standard horror fare.

Reviewer: Tim Isaac

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First Images From Selma Released – Featuring David Oyelowo as Martin Luther King Jr.

25th August 2014 By Tim Isaac


Hollywood likes to think of itself as very liberal, but while it likes to nibble around the edges of race relations in the US, any film that wants to tackle important aspects of the Civil Rights struggle faces a massive uphill battle to get funding.

That’s certainly true of Selma, which tells the story of one of the key moments in the fight for racial equality in America. Before making it to the screen it had massive problems getting cash, even when director Lee Daniels came onboard and lined up a star-filled cast .

In the end that version fell through and Daniels moved on, but thankfully it came back together under the direction of Ava DuVernay. Now the first images from the movie have been released, which you can see above and below.

The film focuses on the three marches that took place in Selma, Alabama in 1965. The first march planned to go from Selma to the State Capital, Montgomery, but was stopped after only six blocks by police and state troopers after Governor Wallace decided it was a threat to public safety (Wallace hated anything pro-desegregation and was one of the most powerful, vitriolic and visible forces against the civil rights movement). Protesters were them clubbed, gassed and whipped, with the TV footage of the violence shocking the US and galvanising support for civil rights.

A second, symbolic march took place two days later, led by Martin Luther King Jr. (David Oyelowo), which only went as far as the bridge where the previous protesters were stopped, because a court injunction prevented them going all the way to Montgomery. A week later the injunction was lifted and a third march set out, this time making it all the way to the state capital.

It was these marches and the public horror at the beatings of demonstrators that spurred Congress to start drafting laws that ended up with the Voting Rights Act, which for the first time explicitly gave African-Americans the right to vote.

In the pic above Oyelowo is joined by Carmen Ejogo as Coretta Scott King, while the image below features Tessa Thompson as Diane Nash, Omar Dorsey as James Orange, Colman Domingo as Ralph Abernathy, Oyelowo as King, André Holland as Andrew Young, Corey Reynolds as Rev. C.T. Vivian, and Lorraine Toussaint as Amelia Boynton.

An Oscar-bait Christmas US release in planned, with the film reaching the UK February 2015.

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Steve Martin Is Going To Magic Camp – He’s reteaming with Disney for a new comedy

25th August 2014 By Tim Isaac

Steve Martin’s career started with Disney working at Disneyland in the 1950s, and the company has been a recurring theme throughout his career backing movies such as Father Of The Bride and Bringing Down The House.

Now Martin and Disney are reteaming for the comedy Magic Camp, according to THR. It really does take him back to his roots, as his Disneyland job included working at the Main Street Magic Shop, demonstrating tricks to potential customers.

In Magic Camp, Martin will play ‘a straight-laced banker who returns to Magic Camp, a camp he attended as a shy child. This time he is a counselor who makes it his mission to improve the lives of all the kids while keeping an eye on his ultimate prize, the top spot at the Golden Wand competition’.

Steve Martin wrote the most recent version of the screenplay alongside Stu Zicherman. No director is currently attached.

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Richard Attenborough Dies Aged 90 – The Oscar-winning director and actor passes away

25th August 2014 By Tim Isaac


Richard Attenborough, the famed actor and director has passed away aged 90, it’s been revealed. His film career started in the early 1940s, and indeed even when he signed up to serve in the RAF in World War II he was soon seconded to the film unit, to help make British propaganda movies.

His biggest early breakthrough came in 1947, playing Pinkie Brown in the film version of Graham Greene’s Brighton Rock, recreating a role he’d played on the stage on 1942. He was a popular British star through the 50s, 60s and 70s, starring in the likes of Private’s Progress (1956) and I’m All Right Jack (1959), The Great Escape (1963), The Flight Of The Phoenix (1965) and 10 Rillington Place (1971).

However in 1979 he decided to put acting to one side and concentrate on directing. He’d already had some success with the likes of Oh! What A Lovely War! (1969), A Bridge Too Far (1977) and Magic (1978), but it was his next movie that moved him to a new level, with Attenborough moving heaven and earth to get Gandhi (1982) made. The resulting film won eight Oscars, including a Best Director gong for David.

He later directed the likes of A Chorus Line, Cry Freedom, Chaplin and Shadowlands.

In the 1990s he became known to a new, younger generation when he agreed to return to the screen to play John Hammond in 1993’s Jurassic Park. It must have given him the bug, as through the 1990s and early 2000s he had several other on-screen appearances in the likes of The Miracle On 34th Street and Kenneth Branagh’s Hamlet.

Sadly though he’d been in declining health for several years and sadly died on Sunday.

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