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The Wind Rises (Blu-ray) – Hayao Miyazaki goes out on a high

29th September 2014 By Tim Isaac


While Japanese anime that covers weirdly sexual sci-fi, giant robots and horror has found its place in the West, what still seems like an anomaly to us are animated movies for grown-ups that don’t go that far into the fantastical. In fact for several reasons, and despite how good it is, it’s difficult to imagine The Wind Rises ever getting a release over here if it weren’t directed by the legendary Hayao Miyazaki (and it’s probably his last film).

The movie is a biopic of one of Miyazaki’s heroes, Jirô Horikoshi, starting with his youth as a young boy in the 1920s who dreams of being able to fly, but knowing that due to his bad eyesight he can never be a pilot. Once grown he heads off to university to become an engineer before getting a job helping to design planes.

He doesn’t just want to build great aircraft that ride on the coattails of the more technically advanced nations (particularly the Germans), but to surpass them and help Japan to pull itself into the modern age. He also meets and falls in love with Nahoko, who is stricken with tuberculosis.

It’s not just difficult to imagine this coming out over here if it weren’t a Miyazaki movie due to the fact that it’s a biopic of a Japanese man hardly anybody of us have heard over. Nope, Horikoshi also happens to be the chief architect behind the Japanese Zero, the fighter plane that helped attack Pearl Harbor and made Japan a far more formidable power in the air during World War II than it would have been otherwise.

Perhaps not surprisingly we don’t have a big history of releasing films lauding people who were on the other side of wars we fought, especially when the film is curiously silent about what it thinks about Japan’s decision to go to war – other than Horikoshi and his friend saying the only thing that matters to them are the planes themselves (the man himself was actually against the war, according to his diaries, although interestingly and presumably because of Japan’s complicated relationship with that part of its past, that’s not mentioned here).

I’m not saying this to criticise the film, in fact it adds an extra layer of interest to the film. Not that there’s nothing of interest elsewhere. It’s a charming and incredibly beautifully made film, and while it doesn’t contain too much of the fantastical imagination that many love in most of Miyazaki’s films (beyond some wonderfully rendered dream sequences), it retains his sharp and wonderfully honed storytelling style.

The subject isn’t too much of a surprise either. Miyazaki’s films have always been obsessed with the inner workings of machinery and most particularly aircraft of all sorts – often the more fantastical the better. If you go back and watch the likes of Laputa and Howl’s Moving Castle, you can see how much work went into working out exactly how the variation contraptions work, move and get their power. You can also feel in The Wind Rises the director’s admiration for the people who helped modernise Japan – even if there was a bit of a hiccough until 1945.

The passion is palpable and even if it is animated you can feel yourself being sucked into the Japan of the past. Initially the love story feels tacked on, but it’s soon fully pulled into the film and helps give it extra heart, particularly towards the end.

The Wind Rises has been given a wonderfully crisp transfer to Blu-ray, showing off the artistry of Studio Ghibli and Miyazaki’s attention to detail. There’s not too much in the way of special features, although the press conference announcing the completion of the film is oddly fun, largely because you can sense how little most of the participants want to be there, although Miyazaki himself does get more comfortable as it goes on.

Overall Verdict: It may lack the fantastical imagination of many of Miyazaki’s movie, but The Wind Rises is a great example of what has really set his films apart – the fact he’s a superlative storyteller. Watching a movie lauding a guy who ensured lots of allied soldiers died in World War 2 may be usual, but that doesn’t mean it can’t be a really good film.

Special Features:
Press Conference
Storyboards

Reviewer: Tim Isaac

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Postman Pat: The Movie (DVD) – The classic character is back but not as you might remember

29th September 2014 By Tim Isaac


It’s surprising how many films get made where the moral of the movie is completely contradicted by the film itself, but nobody involved in making it seems to have realised that. And that’s the problem with Postman Pat: The Movie, a film where the central character has to remember to appreciate the small things in life that the original 80s TV show handled so well – where the most pressing issue was a lost sheep – but then sets it within a movie that’s noisy and bombastic, and has little to do with the gentleness of the series it’s based on.

At the start of the film Pat (here voiced by Steven Mangan) is happily delivering mail and living his small, village life. In order to win the chance to take his wife to Italy, he auditions for an X-Factor style contest – fronted by Simon Cowbell – and to his own surprise becomes a massive hit (thanks to the fact he’s got Ronan Keating’s singing voice). Soon he’s swept up in the celebrity lifestyle, a long way from his home and family.

To make things a little more complicated, delivery firm executive Carbunkle decides to use Pat’s fame to launch his scheme to replace postmen with robots. To do this he creates a bot that looks like Pat, to the point where even those who’ve known him for years don’t seem to realise he’s been replaced by a piece of machinery.

It’s difficult not to feel with Postman Pat: The Movie that bigger is not always better. By bringing in more action and an Aardman-lite edge of absurdism, it loses much of its Postman Pat-ness and doesn’t replace it with anything else that’s all that worthwhile.

Indeed much of its problem seems to be uncertainty over what and who it’s for. A lot of the plot will go over the head of the pre-schoolers the show was originally aimed at (and to be honest the Pat robots will freak quite a few of them out). It seems to be hoping the pop culture references and edge of zaniness will attract slightly older kids, but it doesn’t work, and even adults hoping for a bit of retro charm won’t get a Postman Pat that feels like what they remember.

It also doesn’t help that underneath all the morals and learning what’s important about life, it never seem to realise that everything is set in motion by Pat lying to his wife. Perhaps that should have been the moral, as there wouldn’t have been a problem if he’d just told the truth.

If you’re a child of the 80s, you may be wondering where the wife – and son – came from. In 1981 Pat was single and just had cat Jess for company. The family arrived in the 1996 reboot, as presumably it was in those 15 years that single grown men being nice to children went from being paternal and non-threatening to being on high paedophile alert.

Postman Pat: The Movie isn’t all bad. Some of it is quite funny and there are whole sequences where it finds wit, heart and energy. However every time I thought I’d judged the movie too early, it snaps back to a state of being confused and slightly all over the place.

And just by the way, why does Pat still drive a Royal Mail van when he doesn’t actually work for the Royal Mail?

Overall Verdict: If the film had just trusted the core of Postman Pat that has kept it popular for 30 years – rather than just paying lip service to it at the beginning and the end – it might have worked better than trying to shove in pop culture references and an anarchic edge that doesn’t really fit.

Special Features:
Making Of
Gallery

Reviewer: Tim Isaac

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Legends Of Oz: Dorothy’s Return (DVD) – The same only different, but that’s not a bad thing

29th September 2014 By Tim Isaac


I get the impression that whoever did the casting on Legends Of Oz: Dorothy’s Return must have a fondness for the 1980s. After all bringing in Dan Aykroyd (the Scarecrow), Kelsey Grammer (Tin Man), John Belushi (Lion) and Martin Short (Jester) to play some of the voices can’t be a coincidence.

But that’s by-the-by to this sequel to The Wizard Of Oz, which is pretty much the same as the earlier story but different. Dorothy is just back from Oz when she gets snatched up (by a rainbow this time) and dumped back in the magical country. Once more she needs to get to the Emerald City, this time enlisting the help of an overweight owl, a prissy princess made of bone china, a marshmallow soldier and a talking tree that gets turned into a boat.

This time around it’s not a Wicked Witch that’s causing the trouble but the brother of one, the Jester, who’s got a massive inferiority complex from being overshadowed by his sibling, but now wants to take on the wicked mantle – and he’s kidnapped the Scarecrow, Tin Man and Lion to help with that.

Dorothy’s Return is a bit of an odd one, as once it becomes clears it’s essentially the classic Oz tale but giving Dorothy different companions, it makes you wonder why they didn’t just make a Wizard Of Oz movie, but I suppose it does add a little variety.

Not that it matters too much. While neither the storytelling nor the animation is up to the standards of the likes of Pixar and Disney, it’s still quite fun and trips along in a bright and cheery fashion (after a slightly rocky start). You can feel the spirit of Oz in its story even if it’s slightly uneven.

And with Glee’s Lea Michele playing Dorothy, it shouldn’t be a surprise to discover there’s a fair amount of singing going on. Most of the tunes are pretty forgettable, but there are a couple of good ditties, even if none of them are going to rival Over The Rainbow. And it’ll be a surprise to many just how good a singer Martin Short is.

This certainly won’t enter the pantheon of great Oz adaptations, but it’s likely to keep the younger members of the family happy.

Overall Verdict: It may take a little while to get going and the animation may not be particularly amazing, but Dorothy’s Return soon becomes a cheery trip back to Oz that should put a smile on youngsters’ faces.

Reviewer: Tim Isaac

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WIN! From Dusk Till Dawn Season One On DVD! – The vampire franchise heads to TV

28th September 2014 By Tim Isaac

To celebrate the release of “From Dusk Till Dawn Season One”, out on DVD 22nd September 2014, we have a copy on DVD up for grabs!

“From Dusk Till Dawn Season One” has more excitement, and a compelling back story, the show takes us up close and personal with the vicious vampires from the 1996 film and ramps up the gore and tension whilst keeping the darkly comical tone set by the Rodriguez/ Tarantino original.

Cult-classic From Dusk Till Dawn comes to the small screen with bigger action, more gore and an expanded look at the film’s characters as they embark on a frightening journey into the depths of the Titty Twister.

Watch the UK trailer: http://youtu.be/hatlGgEOW3U

Available to order on DVD today: http://amzn.to/Y0mrbv

If you’d like to try and win the copy of From Dusk Till Dawn Season One on DVD, sign in to the site below (or click here to register) and answer the multiple choice question (see below for more details on how to enter). The competition closes on October 11th, 2014, so get answering and good luck!

HOW TO ENTER: This competition is open to all registered Movie Muser members who live in the UK. It’s free to register and obligation free, and once you’ve signed up to the site, you’ll be able to enter any other competitions we run, plus post comments, join in on the forum or even have your own film blog. CLICK HERE TO REGISTER. If you’re already a member, sign in below and answer the multiple choice question in the grey box, click enter, and you’re done!

This competition closes at 11.59pm on October 11th, 2014. Competition open to UK residents aged 15 or over. (For general competition terms and conditions, privacy policy and site T&Cs, CLICK HERE)

The Prize Finder – UK Competitions

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Leonardo DiCaprio Heads For American Wolf – About the world’s most famous wild animal

26th September 2014 By Tim Isaac

Leonardo DiCaprio and his Appian Way production company are heading into the wild by snapping up the rights to an upcoming book about a wolf that charmed people around the world. It’s a fitting deal in the same week that Leo gave a speech at the UN where he championed the environment.

The book deal was only signed a few days ago, and Hollywood was quick to jump in score the film rights, with THR reporting that the likes of New Regency and Robert Zemeckis’ ImageMovers also bidding. It’s Leo who won out though.

The book in question is Nate Blakeslee’s American Wold, which ‘tells the story of O-Six, who in some circles was the world’s most famous wild animal. The female alpha wolf was collared and tracked by researchers at Yellowstone National Park, gaining a huge following from not only scientists but the public as well. She was shot by a hunter in 2012 just outside the park’s boundaries, an act that caused howls around the country (she even got an obituary in The New York Times) despite it being legal — wolves were scaled back from endangered species’ lists, so there were new population control measures in place.

‘Blakeslee, a senior editor at Texas Monthly, focused on O-Six (named after the year she was born) and the impact she had on the humans around her, as well as the wolf watchers and nature aficionado who symbolized the conservation movement’s success, and the hunter, a vilified man who remains unnamed to this day.’

It doesn’t sound like it’ll be a very cheery tale, but it could make for an interesting film.

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New Predestination Trailer – Ethan Hawke turns time-travelling detective

26th September 2014 By Tim Isaac


Predestination looks like it could be yet another Ethan Hawke movie that’s surprisingly watchable and could do good business, but which probably won’t see him rise back up the star tree. It sees him reunite with Daybreakers directors Michael and Peter Spierig for a time travel tale.

Here’s the synopsis: ‘Predestination chronicles the life of a Temporal Agent (Ethan Hawke) sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must pursue the one criminal that has eluded him throughout time.’

It’s based on a 1959 short story called All You Zombies by Starship Troopers writer Robert A. Heinlein. No US or UK release date is currently set.

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