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Tomorrowland Trailer – Plus a poster for Disney’s George Clooney starring sci-fi

9th March 2015 By Tim Isaac


Disney is betting big this summer of Tomorrowland (or as they now seem to be trying to call it, Tomorrow Land – A World Beyond) as they’re hoping that it won’t just make a load of money at the box office, but could become a franchise and even help spearhead the rejuvenation of the Tomorrowland section of the Disney theme parks.

And we have to admit, it does look kind of cool.

Now a full trailer has arrived so we can get a better look at the George Clooney starrer.

Here’s the synopsis: ‘From Disney comes two-time Oscar® winner Brad Bird’s riveting, mystery adventure “Tomorrowland – A World Beyond,” starring Academy Award® winner George Clooney. Bound by a shared destiny, former boy-genius Frank (Clooney), jaded by disillusionment, and Casey (Britt Robertson), a bright, optimistic teen bursting with scientific curiosity, embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space known only as “Tomorrowland.” What they must do there changes the world—and them—forever.

‘Featuring a screenplay by “Lost” writer and co-creator Damon Lindelof and Brad Bird, from a story by Lindelof & Bird & Jeff Jensen, “Tomorrowland – A World Beyond” promises to take audiences on a thrill ride of nonstop adventures through new dimensions that have only been dreamed of.

‘The film also stars Hugh Laurie as brilliant scientist David Nix, Raffey Cassidy, Tim McGraw, Judy Greer, Kathryn Hahn, Keegan-Michael Key and Thomas Robinson.

“Tomorrowland – A World Beyond” is produced by Damon Lindelof, Brad Bird and Jeffrey Chernov and directed by Brad Bird, with John Walker, Brigham Taylor, Jeff Jensen and Bernard Bellew serving as executive producers. “Tomorrowland – A World Beyond” comes to UK cinemas May 22nd 2015.’

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Win ’71 On Blu-ray! – The gripping Jack O’Connell movie to give away

8th March 2015 By Tim Isaac

Studiocanal releases the explosive ‘71 on DVD, Blu-Ray and VOD from 9th March 2015, following the EST release on 2nd March 2015. An ultra-limited edition Blu-ray steelbook will also be available to purchase exclusively at The Hut.

And we’ve got three Blu-ray copies to give away.

Jack O’Connell plays Gary Hook, a young British soldier accidentally abandoned by his unit following a riot on the streets of Belfast. Unable to tell friend from foe, and increasingly wary of his own comrades, the raw recruit must survive the night alone and find his way to safety through a disorientating, alien and deadly landscape.

Jack O’Connell (Starred Up, Skins) leads a superb cast including Sean Harris (Macbeth, Deliver us from Evil), Killian Scott (Calvary, Good Vibrations), Richard Dormer (Game of Thrones), Paul Anderson (Peaky Blinders, The Sweeney), Martin McCann (X Plus Y, Killing Bono) and Charlie Murphy (Philomena). ’71 is the film feature directorial debut of Yann Demange (Top Boy) and is based on a screen play by acclaimed writer Gregory Burke (Black Watch).

To be in with a chance of winning one of the three copies of ’71 that we’ve got to give away, sign in to the site below (or click here to register) and answer the multiple choice question (see below for more details on how to enter). The competition closes on March 22nd, 2015, so get answering and good luck!

HOW TO ENTER: This competition is open to all registered Movie Muser members who live in the UK. It’s free to register and obligation free, and once you’ve signed up to the site, you’ll be able to enter any other competitions we run, plus post comments, join in on the forum or even have your own film blog. CLICK HERE TO REGISTER. If you’re already a member, sign in below and answer the multiple choice question in the grey box, click enter, and you’re done!

This competition closes at 11.59pm on March 22nd, 2015. Competition open to UK residents aged 15 or over. (For general competition terms and conditions, privacy policy and site T&Cs, CLICK HERE)

The Prize Finder – UK Competitions

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The Imitation Game (Blu-ray) – A great man and a tragic end

8th March 2015 By Tim Isaac


Despite eight Oscar nominations The Imitation Game only walked away with one award, Best Adapted Screenplay. To be honest that wasn’t a shock, as quite a few Oscar watchers had though it would get nothing. And there are also some, including myself, wondering if the one Academy Award it did win was the right one.

The movie tells the story of Alan Turing (Benedict Cumberbatch), a socially awkward, somewhat irascible mathematics prodigy who, after the Second World War breaks out, applies to the government to help break the infamous Enigma code, something many believe is impossible. However he doesn’t want to continue with the traditional method of codebreaking, where smart men use pens, paper and just their brains, as he has an idea to use a machine to break down and then check the billions of possible combinations until it finds the right one. If he can do it, it will allow the Allies can read the German military’s secret communications and possibly win the war.

However this proves difficult for Turing, not because his idea is bad but because many don’t understand what he’s trying to do. The machine is going to cost a fortune (with no guarantee it will works) and it doesn’t help either that he manages to alienate and annoy his colleagues. He does find one ally in the form of Joan Clarke (Keira Knightley), who he manages to get to work at the codebreaking headquarters at Bletchley Park, despite her parents not thinking it’s a suitable place for a lady. Joan is fiercely intelligent and sees something kindred in Alan. While in many ways they would seem made for one another, he is gay ( although feels unable to tell her due to the fact homosexuality is illegal).

Surrounding the tale of Turing attempting to crack Enigma with his prototype computer we see Alan’s youth, where he was just as socially awkward at school but forms a close bond with a slightly older boy called Christopher, who becomes his first love. There’s also Alan’s life after the war, where the police are investigating him after someone breaks into his house. While one of the cops thinks he could be a Russian spy, the real reason he doesn’t want the police involved is rather different.

There is much to praise about The Imitation Game and also much to criticise, which is probably why it got reams of award nominations but won relatively few gongs. It looks good, the acting is great – even Keira Knightley, who I normally find as stiff as a board, is extremely good – and it does a tremendous job of making you appreciate what an incredible man Turing was, as well as how horrifically he was treated after the war. Turing almost was undoubtedly key to saving millions of lives and shortening the war, but in the early 50s he was prosecuted for his homosexuality and chemically castrated. He then killed himself at the age of 41, robbing the world of one of the most important minds of the 20th Century.

However, while The Imitation Game makes you think the real Turing was truly brilliant, the movie Turing isn’t quite so impressive. There are a few too many movie touches, which highlight that you’re watching a film and this isn’t quite real, with much of the issue coming from the fact the movie massages the facts. There’s the constant sensation that you’re being sold something that isn’t quite right – highlighted by the nagging sense that if the men did some of the things they do in the movie, they are far from being as smart as The Imitation Game wants you to think they are.

I have no problem with movies massaging the truth for dramatic effect, but the way The Imitation Game ignores so much of the truth is done in such a way that it doesn’t quite feel real. And it really does ignore massive swathes of the truth, not least that years before the Poles had already broken an earlier, simpler form of Enigma using a complex machine.

While Turing’s work was a massive step forward, the way his Enigma-cracking machine worked, as well as the assumptions it made in order to be able to crack the code, were based on what the Polish had done before the war (while the film calls the machine Christopher, in real-life it was the Bombe, which came from the fact the Poles named their machine Bombas, so even Turing knew his work owed to what had gone before). Sure, it initially sounds more dramatic if one man did it all by himself and won the War, but the truth is both more complex and interesting, and the film can’t quite hide all of it without it being obvious there are missing pieces.

Similarly, it doesn’t even mention Colossus, the machine that really was the first real, modern, programmable computer, which Turing designed and built at Bletchley to crack an even more fiendish code that was used by the German high command. That work probably had even more impact than what he did with Enigma, both in terms of shortening the War and on mankind in general by leading to the computer revolution. However it’s not as well-known or as sexy as Enigma, so in The Imitation Game world it never happened.

The thing many have criticised is that while the film talks about Turing being gay, he’s never seen doing anything gay. Again though, it’s a symptom of the film being tremendous at telling you that Turing’s life was both incredible and yet horrendous, but more problematic when it’s showing you that life.

I did enjoy The Imitation Game, and part of my problem with the movie is that I know that the truth is more complex and interesting that the movie makes it appear. It’s therefore difficult for me to step outside that knowledge and see what I would think if I wasn’t aware that, for example, Turing wasn’t so dim that he built a machine, set it working for months, and only then realised he’d better tell it what to look for (incidentally, what it does end up looking for is essentially the same flaw the Poles used several years before, but which their technology could no longer break after Enigma was massively upgraded). The movie does have power though, and the anger that rises from all involved when it’s dealing with Turing’s treatment after the war is palpable, but it doesn’t quite overcome all the film’s flaws.

Overall Verdict: Simplifying the truth is common in biopics, but the way it’s done in The Imitation Game results in a movie where it often feels you’re not being quite being told the truth. It work brilliantly as testament to the real Alan Turing, but is flawed as a film in its own right.

Special Features:
‘Making The Imitation Game’ Featurette
‘Alan Turing: Man & Enigma’ Featurette
‘Heroes Of Bletchley’ Featurette

Reviewer: Tim Isaac

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Continuum (DVD) – Haley Joel Osment tries to change the past

8th March 2015 By Tim Isaac


You have to admire sci-fi that really wants to be intelligent, even if it’s not actually as smart as it thinks it is. That’s certainly true of Continuum (known as I’ll Follow Your Down in the US), which wants to bring together time-travel, wormholes and quantum theory to create a tale that considers the idea of what it would mean to change your past so that your present never happened. However it’s not really that smart and seems to ignore many of the most important implications of what it’s talking about.

Gabe (Rufus Sewell) heads off on a business trip but never returns, leaving his wife (Gillian Anderson) and young son Errol with no clues as to what happened to him – he never checked out of his hotel and has completely disappeared. 12 years later his wife still hasn’t gotten over what happened, while the massively intelligent Errol (now grown up to be Haley Joel Osment) is trying to make his way in the world as a young adult.

Then Errol’s grandfather (Victor Garber) says he thinks he knows what happened to Gabe – he has information that Errol’s dad managed to use a stable wormhole to travel back in time to 1946, but was mugged and killed there before he could return. At first Errol thinks this must be nonsense, but then realises that if it is true, he might be able to recreate his father’s work, go back in time and ensure that the events of the past 12 years following his dad’s disappearance never happened.

There are a lot of ideas floating around in Continuum, but the problem is that it hasn’t properly thought through what it’s doing. It does try to talk its way around some of its intellectual shortcomings, but it doesn’t do all that well, from its time travel loops to its talk about the repercussions of altering the past. This might have been less of an issue if it could have had a killer ending, but what it seems to think is smart is actually slightly nonsensical.

Part of the problem is Errol himself, who seems barely effected by the dramatic events around him, except when the script needs him to. It ensures that rather than being pulled into the story, it’s far too easy to get hung up on its flaws. Haley Joel Osment does his best, but he’s not given a huge amount to work with.

It’s not completely hideous, but Continuum feels like a bit of a missed opportunity. There are the kernels of all sorts of good ideas here, but they don’t go far enough.

And I ought to also just say it’s a bit odd seeing the little kid from The Sixth Sense all grown up and with a hairy chest. (Oh, and don’t be fooled by the DVD cover, as Gillian Anderson has a smaller role than that suggests).

Overall Verdict: Lots of good ideas and a talented cast can’t make up for the fact the film itself knows it’s onto something interesting but never quite works out what that is.

Reviewer: Tim Isaac

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Jurassic World Director Plans An Intelligent Life – Colin Trevorrow plots a new sci-fi

8th March 2015 By Tim Isaac

It’s still a few months until Colin Trevorrow hits cinemas with Jurassic World, but he’s already thinking of the future, as THR reports that he’s planning to direct a movie called Intelligent Life.

It’s not a brand new idea, as he was previously working on it with creative partner Derek Connolly under the title The Ambassador, but now it’s been completely reimagined and reworked.

It’s not known exactly how it was changed, but the Ambassador was about ‘a U.N. worker in a department that was to represent humankind in the event of alien contact. The man falls in love with a mysterious woman who turns out to be an alien.’

The tone is said to be more like Trevorrow’s earlier movie, Safety Not Guaranteed, than Jurassic World. It’s not known when it might shoot.

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Fast & Furious 7 Extended Look – The car mad stars add skydiving to their resume

8th March 2015 By Tim Isaac


It’s only a few weeks until Fast & Furious 7 (which is just Furious 7 in the US) makes it bid to be the first massive hit of the summer season (yes, early April isn’t summer, but the blockbuster season starts earlier and earlier every year), Now to get us excited an extended look has been released.

Here’s the synopsis: ‘Continuing the global exploits in the unstoppable franchise built on speed, Vin Diesel, Paul Walker and Dwayne Johnson lead the returning cast of Fast & Furious 7. James Wan directs this chapter of the hugely successful series that also welcomes back favorites Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Elsa Pataky and Lucas Black.

‘They are joined by international action stars new to the franchise including Jason Statham, Djimon Hounsou, Tony Jaa, Ronda Rousey and Kurt Russell. Neal H. Moritz, Vin Diesel and Michael Fottrell return to produce the film written by Chris Morgan.’

Fast & Furious 7 It’s out in the UK April 3rd

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