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Batman Ninja (Blu-ray Review)

30th May 2018 By Tim Isaac

Starring: Roger Craig Smith, Grey Griffin, Tony Hale, Tara Strong, Adam Croasdell
Directed By: Junpei Mizusaki
Running Time: 85 mins
BBFC Certificate: 12
UK Release Date: May 14th 2018

Our Score

‘Batman Ninja’ is a title that sounds like the fever dream of a six-year-old, but it’s not inaccurate for this latest DC animated movie. The film takes the Caped Crusader to Japan and into full-on anime mode, as this was produced and animated in the Land Of The Rising Sun. As the Japanese production company behind the film says in the special features, they were allowed to make a movie where Batman was essentially a guest in their country and had to adapt to their way of doing things, rather than the other way around. As a result this is a Japanese film with Batman in it, rather a Batman film set in Japan.

In the film, after an incredibly quick setup Batman is mysteriously thrown back in time after something goes wrong with the villainous Gorilla Grodd’s time displacement machine. The Caped Crusader finds himself in medieval Japan, but one that’s got a few problems as the time machine also sent a Rogues Gallery of Gotham’s bad guys into the past. Those villains arrived two years before Batman, which has given the likes of Joker, Poison Ivy, Bane and Penguin time to start gaining control of Japan, using their futuristic knowledge and evil skulduggery to control the locals.

Batman sets out to stop them, quickly realising that the Joker and girlfriend Harley Quinn are likely to be his biggest problem, as they want to seize control of the whole of Japan. However, the other villains aren’t to be underestimated either, especially as fighting them means Batman quickly starts running low on the arsenal of futuristic gadgets and technology that help him be a superhero. He’s going to need help to get this sorted, especially when it’s time to start fighting giant robots! [Read more…]

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Mary and the Witch’s Flower (Cinema Review)

4th May 2018 By George Elcombe

Starring: Ruby Barnhill, Kate Winslet, Jim Broadbent
Directed By: Hiromasa Yonebayashi
Running Time: 103 Minutes
UK Release Date: 4 May 2018
BBFC Certificate: U

Our Score

One Christmas afternoon a few years back I was surrounded by noisy nephews and other family members, so I retreated to the front room to watch a film that’s I’d heard very good things about called Spirited Away (2001). One by one my relatives came to join me and was captivated by what was on screen, even though they didn’t really understand what was going on.

This was my introduction to the wonderful films made by Studio Ghibli, and when I recommend any of their movies to those who have never heard of them I always say that they are the Japanese Disney. Since that Christmas I have seen pretty much every Studio Ghibli production and was saddened to hear that the studio was halting productions back in 2014, following the retirement of co-founder and director Hayao Miyazaki (although it hasn’t completely gone away).

But whenever one door closes another opens as Ghibli producer Yoshiaki Nishimura founded Studio Ponoc (Ponoc signifying midnight, for a new day) in 2015 with the aim to produce animated feature films with the look and feel of early Ghibli films. They have achieved perfectly with this their debut, Mary and the Witch’s Flower. For example, the Studio Ponoc’s logo at the start of the film has an image of the star of its first film, Mary, which is a homage to the image of Totoro used for the Ghibli films.

Mary and the Witch’s Flower is based on the book The Little Broomstick by Mary Stewart, and tells the story of a young girl named Mary (Barnhill), who moves in with her Great Aunt Charlotte in the countryside. Bored and restless, she befriends local boy Peter (Louis Ashbourne Serkis) and his cats, Tib and Gib, who leads her to a glowing flower, and later to a broomstick that whisks her high above in the clouds to the Endor Collage for witches and warlocks. There she meets headmistress Madame Mumblechook (Winslet) and Doctor Dee (Broadbent) who have a history with the flower and will try to get their hands on it no matter the cost to Mary or anyone else.

On the surface this movie can easilt be compared to Miyazaki’s Kiki’s Delivery Service (1989) as we have a young girl with a black cat on a broomstick, and, unsurprisingly, this film has a lot of familiar trademarks associated with the Ghibli films. For example, we have a strong-willed female protagonist, a call to adventure from the mundane and boring real world, the use of magic, an array of strange and wonderful creatures, a moving orchestral score, and above all spectacular 2D animation.

None of this is a bad thing and it by no means feels like a tick box or simple imitation. It truly feels like a continuation of Studio Ghibli and its heritage, yet sets the groundwork for what I hope are many other films to come. Indeed, it’s a must for fans of animation in general.

Also unsurprisingly, Studio Ponoc recruited many talented staff and animators from Ghibli and you can tell by the character designs, how they move, the beautifully detailed static backgrounds and the fact that some shots within the collage contain so much activity that you will have to re-watch them multiple times just to pick up on everything. I also found it hard to differentiate if any shots had been touched up with CGI animation, and I would be surprised to know if they had.

I feel I can’t write much more about this film unless I give away a lot of the plot and events, but as per a lot of children’s stories not all is as it seems and the audience gets sucked into the world and mystery through Mary’s eyes. There is a lot of fun and wonder in this film but also a bit of darkness – nothing that would traumatize a child, though.

Like Spirited Away (2001) and a lot of other children’s stories the film’s overall message is not to take some things for granted, and to be thankful for what you have. All in all this is a great film to watch for young and old, and especially if you’re a fan of magic and Harry Potter. It says something that the kids attending the preview screening were quiet throughout, captivated by what was on screen.

Overall Verdict: A strong debut from Studio Ponoc with all the elements that fans of Studio Ghibli know and love. There’s a captivating and magical story, great pacing and absolutely stunning 2D animation. This film is a must see for fans of Anime and Studio Ghibli, and a great introduction for those new to the genre.

Reviewer: George Elcombe

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ACTORS: Ruby Barnhill, Kate Winslet, Jim Broadbent  DIRECTORS: Hiromasa Yonebayashi  

Pitch Perfect 3 (Blu-ray Review)

30th April 2018 By Tim Isaac

Starring: Anna Kendrick, Rebel Wilson, Anna Camp, Brittany Snow, Hailee Steinfeld
Directed By: Trish Sie
Running Time: 93 mins
BBFC Certificate: 12
UK Release Date: April 23rd 2018

Our Score

When the plot of a sequel is that the characters are being sent off on a holiday, it’s usually a good time to start to worry. It’s typically the point in a franchise when the makers have run out of ideas and so they put the characters in a new environment in the hope that people won’t notice that they couldn’t really decide what the movie should be about.

That’s pretty much true of Pitch Perfect 3, where the former Barden Bellas get the opportunity to participate in a USO military tour, performing with other bands in different countries. To add a little random competition to the mix, the best of those bands will be chosen by DJ Khaled to open for him on his tour. That’s the cue for the Bellas to go into crisis of confidence of mode as they realise that being the best at acapella-ing doesn’t necessarily mean they can go toe-to-toe with an all-female pop-rock group, a country artist and a couple of rappers.

In case people realise that’s not really much of a story, the movie also chucks in a couple of romantic subplots (the guys from the previous two films have been conveniently removed and ignored) and Rebel Wilson’s Fat Amy turns into an action hero after her criminal father (John Lithgow) emerges from the shadows and decides a bit of kidnapping is in order.

When it was released at cinemas reviewers generally eviscerated the movie, saying that the franchise had jumped the shark and descended into tedium. However, they ignored the fact that the movie pretty much does what Pitch Perfect has always done – present a very standard plot which offers very few surprises, but then peps it up massively with some good tunes, lots of energy, some girl-power confidence building and plenty of genuinely funny moments. Admittedly Pitch Perfect 3 doesn’t offer as much of that as the first two movies, and its lack of ideas does mean that it can’t paint over the cracks quite as well as the earlier movies did, but it’s still a lot of fun.

It doesn’t add up to much – but then neither did the other two beyond being a lot of fun. By the end, when the movie tries to assure us that this is the end of the story of these particular Bellas, you’re likely to be feeling that perhaps that’s not such a bad thing. It’s been a fun ride, but this third outing does suggest a franchise that at the very least needs a refresh. That’s particularly true with Anna Kendrick’s ???, with the actress trying to breathe life into her characters’ journey while seeming very aware that it’s not really all that interesting and nobody cares all that much whether she gets a solo music career.

Pitch Perfect 3 is enjoyable fluff, and it certainly has a few great musical moments. The tunes may not reach the heights of some of the mixes from the first two films, but they’re still nicely put together set-piece fusions of a raft of popular songs given a fresh sound and brought together in unexpected ways. The film attempts to up the ante with the addition of a bit of rock, country and rap – and, shockingly for the Bella, instrument – but ultimately it’s the ladies of acapella that once again steal the show.

The movie looks and sounds good on Blu-ray, and there are a few decent special features, including some additional and extended musical sequences. The film itself may not be as good as the earlier Pitch Perfect movies, but it’s still plenty of fun. It should also be remembered that both of the earlier films benefited massively from surpassing the low expectations most people had for them. With this one those expectations were raised, and so the fact it’s okay rather than great means its perhaps come in for more criticism than it deserves.

Overall Verdict: It may not be as strong as the earlier Pitch Perfect films – a lot more thought about the plot would have helped – but it’s still an entertaining musical adventure with some decent laughs.

Reviewer: Tim Isaac

Special Features:
Deleted Scene
Gag Reel
New Musical Performances
Extended Musical Performances
Feature Commentary With Director Trish Sie and Producer Paul Brooks
‘A Cappella Action’ Featurette
‘The Women of Pitch Perfect 3’ Featurette
‘Hollywood of the South’ Featurette
‘Competition Crescendo’ Featurette
‘Don’t Mess with Rebel’ Featurette
‘The Headliner: DJ Khaled’ Featurette
‘The Final Note: John and Gail’ Featurette
‘Just Because He’s a Bad Guy’ Featurette
“Freedom! ’90 x Cups” Official Music Video

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Stronger (Blu-ray Review)

8th April 2018 By Tim Isaac

Starring: Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson, Richard Lane Jr., Nate Richman
Directed By: David Gordon Green
Running Time: 119 mins
BBFC Certificate: 15
UK Release Date: April 9th 2018 (UK)

Our Score

Jeff Bauman (Jake Gyllenhaal) decides to surprise his ex-girlfriend, Erin (Tatiana Maslany), by heading to the finish line of the Boston marathon to see her cross the line. When a terrorist bomb explodes Jeff loses both his legs. Due to horrific photos of him at the bombing which quickly become iconic, he is held up by a hero by some and a prime example of ‘Boston Strong’. However, Jeff initially riles against the idea of himself as a hero, struggling with the fact that a city in need of catharsis desperately wants him to be an inspirational figure.

As the film follows him through his recovery, it’s keen to show that heroism isn’t the simple thing we’d like it to be. Stronger isn’t afraid to say that Bauman is a bit of an ass, and when he’s being self-destructive and filled with guilt and loathing, it would be too easy and pitying just to say it’s all because of his injuries. The movie also shows the complications of his relationships with other people, including his alcoholic mother (Miranda Richardson) and most particularly his ex, Erin. She sticks around following the bombing, but the film smartly questions whether she’s there because she wants to be or because of guilt, and whether it’s a good thing for either of them.

Gyllenhaal and Maslany are great in the central roles, ensuring that a film that wants to be harsh and anguished never loses sight of the humanity at its centre. It allows it to explore different ideas about heroism and bravery rather than going for the easy answers. That said, it does make a few mawkish missteps towards the end, which may be understandable but doesn’t quite fit with much of the rest of the film.

Stronger isn’t an easy watch, and it doesn’t want to flinch at some of the ugliness and complex reality of what many would like to reduce to platitudes like ‘inspirational’ and ‘heroic’. It’s not a unique film – indeed it seems to take particular inspiration from Born On The Fourth Of July – but it is a well-made and worthwhile one.

Overall Verdict: Jake Gyllenhaal and Tatiana Maslany anchor a biopic that doesn’t shy away from pain and wants to show that being a ‘hero’ isn’t always what we think it is.

Reviewer: Tim Isaac

Special Features:
‘Faith, Hope and Love: Becoming Stronger’ Featurette

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Isle Of Dogs (Cinema Review)

29th March 2018 By George Elcombe

Starring: Bryan Cranston, Koyu Rankin, Edward Norton
Directed By: Wes Anderson
Running Time: 101 Minutes
UK Release Date: 30 March 2018
BBFC Certificate: PG

Our Score

Feature length stop-motion films are a rarity these days, partly because CGI movies are quicker to produce and are seen as better box office propositions – as well as it being easier to amend a scene or use an alternative camera angle if it’s been generated on a computer.

However, there is a certain charm that you get with stop motion that CGI will never have.  It’s the same way that CGI monsters in horror films are never as scary as animatronic ones because the audience is enticed by something real and physical presented on screen. The films of Ray Harryhausen are prime examples of how effective stop-motion can still be. Many of us in the UK grew up with Morph, Wallace and Gromit and several other stop motion animated character, and the meticulous work of the animators comes across on the screen, for which I respect and admire their level of dedication. [Read more…]

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ACTORS: Bryan Cranston, Koyu Rankin, Edward Norton  DIRECTORS: Wes Anderson  

Journeyman (Cinema Review)

24th March 2018 By Tim Isaac

Starring: Paddy Considine, Jodie Whittaker, Paul Popplewell, Anthony Welsh
Directed by: Paddy Considine
Certificate: 18
Running time: 97 minutes

Our Score

Does the world really need yet another boxing movie? Yet another tale of redemption, with a plucky outsider who has little chance of winning, discovering his mojo through meeting the right partner, turning around his life, punching sides of venison at dawn and lifting the belt in a blaze of glory? No, of course it doesn’t – I’m looking at you Stallone with your countless, increasingly ludicrous Rocky films, but as films like The Fighter showed, there is some life in the old puncher yet.

And this is Paddy Considine we’re talking about here. Now approaching something like national treasure status, Considine has almost become a by-word for gritty authenticity, an actor who never cheats, never uses tricks and always seeks that most elusive quality in films – honesty. [Read more…]

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ACTORS: Paddy Considine, Jodie Whittaker, Paul Popplewell, Anthony Welsh  DIRECTORS: Paddy Considine  
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